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											| Magic Hands by Gregg Dean 
 It's morning.  It's morning and the sun pours through the window into
 our tiny room.  The light is  by the louver panes in the transom
 making polychromatic, rainbow tram lines, down the length of her
 languishing frame.  She's unaware of it.  Unaware and oblivious of this
 moment but yet she is part of it.The covers have come off her; she's
 grateful in the morning heat.
 
 The lines dip and roll and define her perfectly.  She is thirty-two,
 speaks three languages and sculpts.  I have marvelled at her work,
 exhibited in London, Milan and Madrid.  I like to watch her at work.  Watch
 her slender brown fingers on the clay and realise that she uses those
 artist's hands to stroke my hardness when we make love.  She strokes her
 own  and teases herself when she's moist and wet, waiting for me.
 Such is the power invested in those hands, that when I see people marvel in
 halls and galleries, standing back in awe, praise and wonder at the busts
 and figures, the  and abstracts, I want to say: "What did you
 expect?" I want to tell them that it's only natural as only good ever comes
 from those hands.
 
 She stirs now.  The lines appear to shift and one crosses her thigh,
 through her  and along her neck.I know that if I stroke that neck
 her eyes will open.  She'll see me and smile, greet me with her eyes.I do
 that now and I realise how well I've come to know her.  She rolls fully
 onto her back, her breasts, heavy from nourishing her offspring, are softly
 spread on her chest.  She proffers me her  which I take, suckling
 sustenance for my dry soul.Her nipple hardens in my mouth and her strong
 back arches with desire.  Her breath in my ear, quickens and she pulls my
 head from her  and our mouths lock.
 
 The mouth that has scolded and praised, defended and spoken words of
 such poetry, is wet and full and has a such a simple message now.My hand
 rubs her belly and strokes her mound, her soft downy hair is tousled by my
 fingers.  I feel her magic hands move and one falls from the bed to travel
 up my legs, cup my balls, wrap itself around my manhood.
 
 My fingers part her slowly and that passage which has seen a pattern of
 taking and producing will be ready to take again soon.She breaks the kiss.
 She stretches and her long legs close.  Her arms go above her head and her
 pretty features contort with the effort and pleasure.
 
 "Good morning".
 
 "Sleep well?"
 
 I nod, because I know she means it.  She asks because she cares.  It is
 a question, not a greeting.
 
 She has three media and three studios and I remember her breaking from
 her work, laying down her chisel so we could roll in sweat and marble dust,
 ignoring everything except the urgency of our groins as they pressed and
 rolled together.  Her hips rocking for our mutual pleasure.  And after we
 just sat, celebrating our fulfilment with wine, our backs against cool
 marble.
 
 She pats the place I've just left and I crawl across the bed.  She
 strokes me as I do.  I lie on my back and allow her mouth to explore me.
 Her mouth travels the length of my chest, stomach and lower and she flicks
 me with her tongue.  Her  swing voluptuously brushing my chest.
 Reaching up I can knead her firm buttocks and sweep my hands down to her
 inner thigh.  She parts her legs to accommodate my questing fingers, then
 with athletic grace, straddles my face.
 
 Her womanhood is on my mouth and her sensuous musky scent excites.  My
 tongue works over her small clitoris and enters her.  She moans and I'm
 aware that her lips have covered my manhood.  Her tongue goes around my
 penis and teases and excites me.  She moans and writhes, pressing herself
 close to my face.  Her clitoris has swollen under my tongue.
 
 We shower and I wash her breasts, my hands following the falling suds
 down to her mound.  Her arms are around me and she places tender kisses on
 my neck.  I tell myself how much I love this woman as she raises her leg to
 my side.  She takes me in her hand and guides me inside her.  The water
 cleanses us both removing traces of the night, then she moves for the both
 of us as she is stronger and I'm weak from the passion.  Her hand travels
 to the back of my head pulling my mouth against hers pushing her tongue
 etween my lips.  Water courses down our faces.
 
 I'm very close now and she knows it.  She breaks the kiss."Let it go
 now, sweet baby.  You can let it go now." She pants.I clutch at her
 buttocks pulling her firmly against me.  She moans and bites my lip and we
 both climax.
 
 And I'm not strong enough to stand but she holds us both up.  I have
 heard her cry in anguish at this stubborn husband.  I have heard her cry
 out in irritation at the folly of her children.  Now she cries out at the
 pleasure of our union.
 
 She is stood in a long gallery in a sweeping black dress.  She talks
 politely, champagne in her hand.  The  in their tuxedos stand around
 talking to her, enjoying her work, enjoying her.  They talk, they flirt,
 looking to see which way she will go - looking for either a chink or a sign
 of resolve.  They wish she was less clothed; something shorter and cut
 lower but those are not the secrets she shares with others.  As I get
 nearer she smiles and they want to know who it she is smiling at.  Bathing
 in her reflected glory, their envy is tangible and excusing themselves they
 smile and leave.
 
 "What do you think?" she asks throwing back a velvet cover.The Unicorn
 is black, sleek with hewn muscle and sinew, mane and spirit.  There's
 nothing missing from it except that if her hands were more magic she could
 reach out and infuse life into it.  I don't know if people are watching us,
 I don't know if I care.  I takes those magic hands and place them around my
 face.  She cups it like a ball.  She knows I'm going to say "perfect" and
 any other word would show poverty of expression.  I can't say it with any
 more meaning than the myriad other times I have said it.
 
 "It's perfect." I admit, because it is an admission.  She nods and
 smiles.  Reluctantly we part and a thousand eyes follow her grace.
 
 And when she's like this she's my powerful woman.  And when she's with
 the children she's my gentle woman.  And when her hands work their magic
 from lifeless clay and rock, she my magic woman.  And when I lie her down,
 naked and soft as the day smoulders to an end she simply becomes my woman.
 
 Copyright Gregg Dean 2000
 
 
 
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